Four local teens were part of a true Cinderella basketball story at the JCC Maccabi Games

By Mike Cohen

Côte Saint-Luc youngsters Adam Miller and brothers Josh and Noah Liebman and Hampsteader Ariel Nathan,  recently returned from the JCC Maccabi Games in Atlanta where  they became part of a true Cinderella story. Adam attends Bialik High School and the latter three Herzliah.

Adam, Noah & Josh with coach Andy Robinson.

More than  1,600 participants, aged 12 to 16, competed in  13  different sports. The event   included an Olympic-style opening, closing ceremonies and a community service day.

The local JCC (Jewish Community Center) did not have enough players  to form their own team in Atlanta, so organizers assembled the J Team. It was composed of Adam, Ariel,  Josh, Noah and 10 other kids from American cities who also did not have a delegation. Well, one would have thought this patched together squad had no chance of winning any games. Lo and behold they went all the way to the finals and despite being 24 points behind to Baltimore, they made an extraordinary comeback and won the game 53-49. “It was something right out of the movies,” said Mish Granik, grandfather of Adam and great athlete in his day.

Robbie Granik, Adam’s mom, said her 13 year old son has been playing basketball with the YM-YWHA Wolves since he was eight.  That is where his love for the game started, under the outstanding leadership of  coach Martisha Richards. He also plays for Bialik. His dream is to play in the Israel Macabiah Games in two years.

Noah, 12, has been playing Wolves basketball for three years now. He also played for his school team last year. Josh, 14,  played for his elementary school team, as well   Herzliah for the past two years. “They  both love basketball,” said mom Heather Leckner. “We found out about the Maccabi Games through an email that the Jewish schools received. When I saw that there was the opportunity to play basketball, I knew that it would be a great experience for the boys, as well as the advantage that they were able to play on the same team.”

Ariel Nathan in action.

Ariel, 13, has been playing basketball since the age of nine. He  started with the Wolves and then the Solomon Schechter team.

Didier Serero and his wife Stacy Herman chaperoned the kids. as well as coached the girls U14 soccer team.

MP Rachel Bendayan announces federal security funding for Outremont synagogue

By Mike Cohen

The government of Canada is helping protect people against hate-motivated crimes through the Communities at Risk: Security Infrastructure Program (SIP). By funding better security systems, the federal Government is helping to keep our communities safer.

Liberal Member of Parliament for Outremont Rachel Bendayan, on behalf of the Minister for Public Safety and Emergency Preparednes Ralph Goodale, announced up to a little more than $131,000 in federal funding to the Congregation Toldos Yaacov Yosef and the Congregation Kehal Toldos Yakov Yosef.

Rachel Bendayan with synagogue leaders.

Since the launch of this program, the government has quadrupled its funding as part of its commitment to better protect organizations against hate-motivated crimes. As committed in Budget 2019, $4 million is available each year, until 2021-22 and $3 million in ongoing funding thereafter.

“There is no social license for hate in Canada,” said Bendayan. “Our country is diverse and inclusive, but we must not take our safety and security for granted. Protecting our communities from violence, including our community centres, educational institutions and places of worship, is the right thing to do. I am pleased to fight for funding that will help keep Outremont safer.”

Added Joseph Silberman, Secretary, on behalf of Congregation Toldos Yaacov Yosef and Congregation Kehal Toldos Yakov Yosef: “The security issues in general in community centers need to be addressed to the highest standards possibly available, so that the public shall feel safe, sound and secure and use these facilities in a relaxed atmosphere. We are confident and assured that with the funding that we will be receiving from the SIP program, Public Safety Canada, our community centers will be offering a safe and secure environment for the entire district, which will be to the benefit of the whole community at large.”

Here are some quick facts:

  • In 2017, police reported an increase of 47 percent  in criminal incidents in Canada that were motivated by hate. Incidents targeting the Muslim, Jewish, and Black populations accounted for most of the national increase. Hate crimes targeting religious groups increased by 83 percent with incidents committed against the Muslim community increasing the most, by 151 percent.
  • SIP is designed to help communities at risk of hate-motivated crime improve their security infrastructure, which will help make Canada safer for all Canadians.
  • Funding is available to private, not-for-profit organizations linked to a community at risk of being victimized by hate-motivated crime. Approved projects may receive up to 50 per cent of total project costs, to a maximum of $100,000 per project. Eligible organizations that have multiple locations may now apply for projects at each of their sites, rather than being limited to one project per year.
  • Interested organizations representing places of worship, provincially and territorially recognized educational institutions, and community centres can apply annually from December 1 to January 31 and from June 1 to July 31 through Public Safety Canada’s website.

 

 

 

 

 

JNF Negev Dinner is September 19

The Campaign

This year’s funds raised will be allocated toward the construction of the new Abramovich Building, future home to TAU’s Nanoscience and Nanotechnology Center, a state-of-the-art building on campus galvanize technological research and development at Tel Aviv University.

Made possible through a US$30 million gift, the building will be the dedicated new home of TAU’s Nano Center, established as the first of its kind in Israel in 2000. Today, the Center comprises 90 research teams who have published over 1,700 scientific papers, registered 200 patents and provided advanced services to dozens of industrial affiliates. Once complete, the building is expected to captivate the nanoscience community, reinforce multidisciplinary research and technological innovation, intensify industry collaboration, and create new connections between the scientific world and society at large.

On September 19, 2019, JNF Montreal will close the Campaign at their Annual Negev Gala, this year celebrating its 65th Sapphire Jubilee Anniversary, honouring Canadian Friends of Tel Aviv University Immediate Past National President and 2007 Tel Aviv University Honorary Doctorate Recipient, Barbara Seal, C.M.. Barbara is the first woman to be honoured at this event in 22 years – and only the fourth woman in the Gala’s history.

Drawing her inspiration from the Jewish value of “Tikkun Olam”, Barbara hopes to seed future medical breakthroughs by spurring support for the construction of the Abramovich Building for Nanoscience and Nanotechnology at Tel Aviv University. This revolutionary project is a multimillion-dollar effort to bring Barbara’s vision of improving humanity to fruition.

 

Museum of Fine Arts lauds generous donation by Roslyn Margles

The Montreal Museum of Fine Arts (MMFA) is thrilled to make the acquisition of a masterpiece of Abstract Expressionism by Elaine de Kooning (1918-1989), a seminal figure in this movement who was also an art professor and critic. This acquisition was made possible thanks to the profound generosity of philanthropist Roslyn Margles. Her monetary gift enabled the Museum to purchase Bill at St. Mark’s, one of De Kooning’s most important paintings. This exceptional artwork is the first piece by the artist to enter a Canadian public collection. It is now on display for the public in the MMFA’s Michal and Renata Hornstein Pavilion for Peace.

Says Nathalie Bondil, Director General and Chief Curator, MMFA, “From one woman to another, from one love to another, I can’t think of a more moving gesture. Thanks to our patron Roslyn Margles, we have the honour of exhibiting this striking tableau by Elaine de Kooning, a brilliant artist too often overshadowed by her husband.”

Extremely involved in the community and having a strong passion for the arts, Roslyn Margles made this tremendous philanthropic gesture in honour of her late husband, Max H. Margles, a great engineer who helped shape the face of our city. “Being aware of the value and impact of art on the lives of children and adults, its therapeutic value and its measure and reflection of civilization, I chose the MMFA to house this important work to be admired and studied by millions as a permanent memorial to my husband Max. I see Bill as a symbolic representation of Max and was quite moved emotionally by this painting. It is Elaine’s tribute to her husband and likewise, a tribute to my husband,” explained Margles.

The spouse of the famous Willem de Kooning, Elaine de Kooning was one of the few women of her generation to be respected as an artist in her own right. An extraordinary woman of her time, she overcame the gender-related obstacles she faced to become a defining figure of her generation. Together with Jackson Pollock, Robert Motherwell, Lee Krasner and Franz Kline, among others, De Kooning was featured in the groundbreaking Ninth Street Show (1951), widely considered to be the exhibition that launched the group of artists collectively referred to as the Abstract Expressionists, or the New York School. She once said: “It seemed like a good idea at the time, but later I came to think that it was a bit of a put-down of the women. There was something about the show that sort of attached women-wives to the real artists”. She signed her works with her initials to erase her gender.

De Kooning became known as a prolific art critic for the magazine Art News and taught at numerous universities throughout the United States as well as in Mexico and Paris. She was also a founding member of the Eighth Street Club in the East Village, New York, which served as an important meeting place for post-war avant-garde artists, musicians and writers. There, she established a reputation for her landscapes and portraits. Working at a time when figuration was shunned by a majority of New York’s avant-garde painters, who privileged gesture over representation, De Kooning crafted a style of abstract figurationthat distinguished her from her contemporaries.

Bill at St. Mark’s

Elaine de Kooning maintained an open marriage with her spouse from 1943 to 1956, the year in which she created this oil on canvas. Acquired on the American art market, the portrait Bill at St. Mark’s was executed at a studio she occupied for a brief period of time on St. Mark’s Place in the East Village. It is one of four known paintings she made of her husband and was featured in major retrospectives.

“When I painted my seated men, I saw them as gyroscopes. Portraiture always fascinated me because I love the particular gesture of a particular expression or stance … Working on the figure, I wanted paint to sweep through as feelings sweep through,” wrote De Kooning.

In Bill at St. Mark’s, a seated male figure faces the viewer with his hands on his thighs and his legs open. Commanding the space with his monumental frontality and the aggressive openness of his posture, the sitter projects a strong virility that is amplified by the use of bold brushstrokes and rich colours – strong blues, mustard yellow, dark green, orange infused with red – that accent the contours of his body. His presence and persona are portrayed through pose, gesture and colour rather than through the features of his face, notably absent from this portrait. In fact, by eliminating the face, and thereby upending the conventions of traditional portraiture, De Kooning allowed for a certain kind of alchemy to transpire between observer and observed.

Elaine de Kooning is famous for her painting of John F. Kennedy. Her works have been exhibited and collected in major American museums, including New York City’s MoMA and Stable Gallery, the Walker Art Center in Minneapolis, the Institute of Contemporary Art in Boston and the Albright-Knox Art Gallery in Buffalo.

Acknowledgements

The Montreal Museum of Fine Arts and its Foundation relies almost entirely on the generosity of donors to acquire new works for its collections. This donation by Roslyn Margles is a magnificent addition, and we are forever grateful for her gesture.

Pizza Pita to move into old Pizza Hut location

I used to love eating at the Pizza Hut location near the side entrance to Decarie Square, off Vezina. A number of years ago the place shut down and there has been no sign of life until very recently.

We can now tell you that the very popular kosher restaurant Pizza Pita will be relocating to that spot very soon. My sources tell me that Orange Café, situated at the other end of Decarie, was looking here as well.

Pizza Pit currently occupies a facility on Decarie which originally housed Tasty Food, until it moved across the street. It began operations in 1989 with a small location on Victoria Avenue, The family owned and operated business was started by two brothers, Chaim and Tzvi. As the success of the restaurant grew so did the need for a larger spot. This dream came to fruition in 2004 when they moved their restaurant location to the former Tasty Food locale. This location was a newly renovated three floor facility, including a party hall, an outdoor terrace and the first kosher drive-thru in the world! This expansion allowed Pizza Pita to cater to the vast needs of its guests.

They are proudly the largest kosher pizzeria located in Montreal,  with a MK Kosher certification by the Montreal Vaad Ha’ir. The menu goes beyond just pizza and pita, with a moo moo ice cream section, an extensive pasta bar, salad section, assorted fish selection and Mediterranean dishes.

Oh yes, another kosher restaurant will soon be taking the place of Ernie and Ellie inside Decarie Square. We hear it could be a new concept from the people who brought us Yakimono, the kosher sushi spot on Decarie near the Villa Maria Metro.

Good luck to them!

Solomon Schechter Academy student gives a boost to Mount Sinai

Grade 6 graduate and Student Council President, Jonah Blant,  from Solomon Schechter Academy began an initiative last year of collecting can tabs to donate. He recently made a trip to the Mount Sinai Hospital Center with his mom, Leah Berger, and Head of School Steven Erdelyi, to donate the tabs to Mount Sinai Auxiliary Coordinator, Barbara Schneider.

Barbara Schneider, Mount Sinai Auxiliary Coordinator; Steven Erdelyi, Solomon Schechter Academy Head of School; Jonah Blant, Solomon Schechter Academy Student Council President; and his mother, Leah Berger, Solomon Schechter Academy Parent and Federation CJA Director of Planning and Allocations.

Mount Sinai will receive money in return for the tabs, and will use that money to support the needs of the hospital. Jonah was able to use his mathematics skills to calculate how many tabs he had collected, without counting them one by one! He weighed the bag and did some division to figure out that, thanks to his fellow students at Solomon Schechter Academy, he had collected about 25,400 tabs!

Lyric Theatre is back and The Band’s Visit opens things up

There will be  some definite Jewish flavor when  the Lyric Theatre Singers turn up the heat at Concordia University’s DB Clarke Theatre with four performances of TOO DARN HOT! A Sizzling Broadway Revue, playing June 13, 14 and 15.

Created by directors Bob Bachelor and Cathy Burns, this original musical theatre revue features 43  performers and five musicians in an exciting mix of Broadway’s hottest hits! Year after year, Lyric fans trust Bachelor and Burns to deliver exciting, multi-faceted revues celebrating the greatest hits and lesser-known gems of the American musical theatre songbook; audiences are never disappointed. “We continue to discover and develop new talents and abilities within the cast. They keep getting better and we keep raising the bar … it’s a win-win for our audiences,” said Burns.

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A scene from last year’s magnificent show.

TOO DARN HOT! features a sizzling selection of musical theatre favourites from composer/lyricist Cole Porter, as well as shows such as The Band’s Visit, Singin’ in the Rain, Company, Next to Normal, Cinderella, Nine and Something’s Rotten. The Singers will also tell the story of three families in pursuit of the American dream at the turn of the 20th Century in a medley from Ragtime and recount the incredible true story of how residents of Gander, Newfoundland welcomed 7,000 stranded air passengers from around the world in the wake of 9/11 in the opening number of Come From Away. Directors Bachelor and Burns are complemented by guest choreographer, Jonathan Patterson, and rehearsal/show pianist, Chad Linsley. Lighting designer James Kokol, sound designer, Joseph Browne and costume coordinator, Karen Pearce, comprise the professional design team. Pianist Chad Linsley’s fellow musicians are Paul Carter on woodwinds, Christopher Smith on synth, Caleb Smith playing bass, and Guillaume Pilote keeping tempo on the drums. Helming the revue as stage manager is Adrian Smith.

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Another scene from 2018.

Some of the  Jewish cast  members back this year include veteran Marlene Schwartz and young Richard Kallos. Richard’s  mom Diane Dupuis  has been  a huge supporter of local musical theatre. She’s sees everything, avidly plugs shows through her social media, and volunteers. She’s contributed her time and effort in various ways to Lyric over the years.

A little bit about The Band’s Visit, which opens things up. This  2017 Broadway smash tells the story of  a touring Egyptian band that is stranded in the Israeli desert by accident. A love story develops between an Israeli woman and one of the Egyptian musicians  and they sing a beautiful song called “Answer Me”. From time to time Lyric creates mini-stories where they use a medley of songs from one show to tell a “Reader’s Digest” version of that show in the revue. Such is the case with The Band’s Visit. And as it happens, the “Answer Me” soloists are Shy Shalev (Jewish) and Tarik Azgui (Muslim). The play’s theme of finding commonalities that connect us, which parallels Lyric’s longstanding diverse membership bound together through the love of music, is epitomized in the song.

The Lyric Theatre, founded over 50 years ago, is a producer and promoter of musical theatre in the Montreal area. What began in 1965 with a vision of a community-based group presenting an annual stage production on the West Island has, thanks to the creation of The Lyric Theatre Singers in 1990, grown into a company of performers from all areas of the city. The Singers rehearse and perform 10 months out of every year, presenting their very popular Broadway revues and Christmas concerts annually.

The DB Clarke Theatre is located downtown at Concordia University (1455, boul. de Maisonneuve). Tickets range in price from $17 to $38.  You can call 514-743-3382, log on to  www.lyrictheatrecompany.com or e-mail: lyrictheatreboxoffice@gmail.com.

From the Jerusalem Post: Montrealer Stanley Diamond included in fascinating story

“Your Polish citizenship certificate has come through – congrats! Where would you like it sent to please? And do you have this BC [birth certificate] attached ready in hard copy so we can do Step 2?”

BY ORIT ARFA

 

Henryk and Hanna Arfa, the writer's grandparents, after the war

Henryk and Hanna Arfa, the writer’s grandparents, after the war. (photo credit: ORIT ARFA)

The subject line read: “Good news from Warsaw!” My heart fluttered. I assumed that meant that my application to receive Polish citizenship was approved. Indeed it was:

“Your Polish citizenship certificate has come through – congrats! Where would you like it sent to please? And do you have this BC [birth certificate] attached ready in hard copy so

The email came from the Melbourne-based Krystyna Duszniak, director of Lost Histories, a small business that specializes in Polish citizenship applications. I should have been happy, but I was annoyed. No, not because now I had to face a certain guilt over actually becoming a citizen in the country that caused my grandparents tremendous suffering, but because I still need to send more documents.

The first email I ever sent to Duszniak inquiring about her services was on April 26, 2018. The “good news” came 167 emails later, on December 20, 2018 – just before Christmas, as she predicted.

I would have never imagined I’d seek Polish citizenship. My paternal grandparents, both Holocaust survivors, never had anything good to say about Poland. My grandfather complained in open letters he wrote for posterity about the antisemitism he faced there as a youth. America became their beloved, adopted country, although they were also fierce Zionists.

However, after living in Germany for two years and visiting Poland several times in the interim, I came to realize that Poland and Europe as a whole are part of my identity, although I’d be kidding myself if I said I had any sentimental attachment to the country (even though my trips to Warsaw were fascinating and very tasty). Like most Israelis and Jews taking this step, I simply wanted to be able to live and work in Europe without continually renewing my visa.

EVER SINCE Poland became part of the European Union in 2004, applications for Polish citizenship have gone up, says Stanley Diamond, a retired businessman who in 1996 founded Jewish Records Indexing – Poland (www.jri-poland.org) as a first step to help families map their family histories to prevent the passing of genetic traits that might endanger future generations. JRI-Poland has digitally catalogued and indexed more than 5.7 million birth, marriage and death registrations from more than 550 Polish towns. Since then, it has become a portal for Jews of Polish descent looking to track down their ancestors and unknown relatives – and more recently, documents for obtaining Polish citizenship.

The Cryptic note left by Gili Bruner's Polish father. (Orit Arfa)The Cryptic note left by Gili Bruner’s Polish father. (Orit Arfa)

“In terms of the potential of having that passport, not only for yourself but for your children and your children’s children, in many cases it’s priceless,” Diamond said. “Having such a passport provides Jews with both economic opportunity and an ‘insurance policy’ in times of political unrest.”

What often begins as a transaction undertaken mostly for pragmatic reasons invariably turns into a process of discovering more about the lives and pathways of ancestors. The process of seeking Polish citizenship involves the collection of many documents through digital archives, dusted-off family documents, and municipal registries. These include birth certificates, naturalization certificates and marriage certificates. The chain of eligibility must be proven three generations back, and it doesn’t matter whether the applicant has ever stepped into Poland.

By requesting and digging through documents received from the German-based International Tracing Service, a government archive that assists victims of World War II and their descendants in finding war-related documents, I discovered logs of my grandparents’ movement to ghettos, concentration camps, displaced persons camps and, ultimately, the ship that brought them to America. Concomitantly, I began transcribing my grandfather’s “open letters” about his experiences as a Polish-born Holocaust survivor.

JERUSALEM RESIDENT Gili Bruner began the process the other way around: she started the discovery process first to uncover secrets left by her father. Later, she realized the benefits of citizenship for her children as they approached college age.
After her Polish father died, he left her and her siblings a cryptic note, in a nylon folder along with his Polish passport and aliyah [Israel immigration] certificate, which her mother discovered upon cleaning out the house. It contained a Polish address.

“A small note. Three copies, addressed to each sibling,” Bruner, a high school teacher, said over the phone from her Jerusalem home. “It drove us crazy. How could a man who doesn’t talk about Poland send us a letter with a Polish address? It was forbidden for us to talk about Poland.”

Her quest to discover what this mysterious address was about brought her to Anat Shem-Or, Duszniak’s Israeli partner. What happened at that Polish location still remains a mystery, but Bruner realized that now was as good a time as any to redeem Polish citizenship for her family.

“Today, many young people really want to do it, and not just for the sake of living abroad,” Bruner said. “It’s very expensive for them in Israel. Parents must help their children who are students, and it’s hard for students to find good work.”

Shem-Or, a former hi-tech executive, came into the Polish citizenship business after undergoing the process herself. Along with her siblings, she inquired into her eligibility, but Israeli lawyers who deal with Polish citizenship told her that she was ineligible since her father had served in the Israel army. According to Polish citizenship law, men who served in a foreign army (Israel or otherwise) before February 19, 1951 lose their Polish citizenship.

She eventually found Diamond, who cautions against lawyers who often overcharge, who referred Shem-Or (as he did for me) to Duszniak. (The average rate for a typical application with Duszniak, who charges by the hour, is approximately $1,800, including fees.) Duszniak’s father (neither are Jewish) was part of the Polish underground, and she came to this work organically through academic research that led her to explore Jewish communities in Poland. About 70% of her clients are Jewish.

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Duszniak informed Shem-Or that since her father was drafted in May of 1951, he did not lose his Polish citizenship. She was therefore was eligible through his side. In 2011, Shem-Or became a Polish citizen – who has yet to step foot in Poland. She’s not sure her late father would have approved, but her mother didn’t object.

Polish birth certificate of the writer's grandfather, acquired during the process. (Orit Arfa)Polish birth certificate of the writer’s grandfather, acquired during the process. (Orit Arfa)

“During this process, I got exposed to my family’s Polish documents, which were very moving and kind of emotional,” Shem-Or said. “Also, my nephews at the time were doing the family tree, and I had all these documents all of a sudden from Poland, and some of them were original, and it was very exciting for us. And so at some point I decided this is what I wanted to do.”
She left her hi-tech job and has now dedicated herself to helping Israelis obtain Polish citizenship, as director of Nicko – Polish Citizenship & Passport Assistance, work she finds extremely fulfilling.

“My clients are of two kinds: Young ones who want citizenship because they want European citizenship, and Polish is the default. And I have older clients who want to do the family research. They want to have names, addresses, and plan to have a trip to Poland to follow in their parents’ footsteps. I love these people, and when they’re done and come back from Poland, they send me such wonderful emails.”

For the highly industrious and organized, children with Polish ancestry can also try to apply on their own through their local Polish Embassy, but it helps to have had punctilious parents who kept documents, like New York-based Jeremy Hockenstein, CEO of Digital Divide Data, a global enterprise helping disadvantaged youth. He first got the idea from Israeli relatives who underwent the process.

His grandmother gave birth to his mother in the Zitau concentration camp on April 17, 1944, several weeks before liberation.

“Before the war, when they had to move into the ghetto, they hid all this paperwork: birth certificates, marriage certificates, kiddush cups, tablecloths, and other silver under the floorboard. After the war, my mother went back there with the baby and they begged to stay in the room, and they smuggled it all out,” Hockenstein said in a telephone interview.

He supplemented these well-organized documents with the American ones and simply went to the Polish Embassy, where very helpful English-speaking clerks assisted him with the entire process.

“Practically, citizenship is just so valuable these days that there are literally refugees putting their lives at risk to have one citizenship, so I felt it was valuable to have. And I thought maybe for my kids, they’d want to live or go to school in Europe, and it would make it easier for them.”

ISRAEL-POLISH relations took a major hit last year, when Poland came out with a notorious law that criminalized ascribing the Holocaust to Poland and which still haunts Polish-Israel relations today. Some Jews view this as a whitewashing of their history.
But Shem-Or says this deterred only a minority of her clients from going through the process. She does not believe Poles are responsible for the Holocaust and believes a feisty underground (in which men like Duszniak’s father fought) mitigates some of the evil that took place on its soil. Hence, she does not feel guilty becoming a Polish citizen.

“My parents came here after the war,” she said. “They built the country. We’re here. We’re not so happy. It took a while to understand it’s very difficult to live here and there are other options. And it’s not that people don’t get killed here. They do. So my conscience is clear.”

Hockenstein feels there is an act of justice to this process. “Emotionally, it made me feel more connected to my grandparents and family from Lodz. I felt they really were Polish citizens, and most of them were killed and the rest had to leave, and I feel like we did have a long history there, and I felt it was part of my heritage.”

Waving Polish flag (Freepik.com)Waving Polish flag (Freepik.com)

Bruner is not sure what her father would think, but she won’t allow herself to entertain too much guilt.

“As a person born in Israel, the daughter of Holocaust survivors, I didn’t want my children to leave Israel,” she said. “But with all the globalization, I’ve been changing my mind. I’m a bit sad. Maybe it’s good that my son has another passport and will have more opportunities elsewhere.”

As for me, I could find noble reasons for being Polish – like the redemptive closing of a circle. But mostly, I’d like to think my grandparents would want me to live the best life that I could, one that would make them proud. And if having Polish citizenship will help that, I hope they’d be all for it.

The ADATH is offering canasta lessons beginning next week; time to sign up is now!

A new session of canasta lessons will be offered at ADATH in Hampstead, taught by Ellyn Delovitch. There are four weekly lessons in the session and each one is  two hours long.

The sessions will be on Monday afternoons, 1-3 p.m,  starting May 6, or Tuesday evenings, 7-9 p.m. starting May 7. The cost is $50.00 per person – space is limited. Please contact office manager, Audra Libman (audra@adath.ca, 514-482-4252)  for more information on dates, and to register for the session.

ADATH is located at 222 Harrow Crescent.ADATH is welcoming and accessible to every person. For accessibility requests and information, please contact Rabbi Michael Whitman (rabbi@adath.ca, 514-482-4252).

55 artists, 101 works and 125 years of History. 

The Women’s Art Society of Montreal is proud to host its 125th annual Juried Art Competition, Exhibition and Sale from April 24 – 28 at Le Livart Gallery 3980 St. Denis, reports noted Jewish artist Carol Rabinovitch. It is free to the public.

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A piece of work by Carol Rabinovitch.

The WASM was founded in 1894 by two Montreal women, Mary Martha Phillips and  James H. Peck (nee Mary Alice Skelton) with the goal of integrating women into the art world at a time in history when women had few rights and were relegated to other roles. The parent body was incorporated in Toronto in 1892.

The Board of Directors role is to govern WASM by providing leadership and direction in the pursuit of its vision and mission.

A vernissage will take place on  Wednesday, April 24 from 4 pm  to  pm.
Closing ceremony and awards  are slated for April 28 from 3 pm to  5 p.m.
For more information and to join, log on to : www.womensartsociety.com or call 514-495-3701.

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